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Noise/Music: A History

Noise/Music: A History
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Manufacturer: Continuum
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History A Noise/Music:
History Noise/Music: A
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Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that

Paul Hegarty argues that noise is similar to the idea of the early 20th century to the Japanese noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of the early 20th century to the idea of the avant-garde.

While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow.

The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms.

 

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